Wearing History – When a Costume Isn’t a Costume

I was listening to “The Gambler” on Pandora the other day, when I thought about something my husband said about Kenny Rogers when we were watching a documentary he was hosting on the Alamo:

Kenny Rogers always looked so good dressed like that [meaning his 19th century western suit]. It just seems very natural for him. I think he wears that better than modern clothes.

I have to say I agree.

Actress Helena Bonham Carter has starred in so many historic movies that she earned the nickname “the corset queen.” Is that because she enjoys making historic movies, or is there something about her that just looks so right in a hat and corseted dress that casting directors have to have her?

Robin @ThriftyVintageChic rocks the 40′s as a re-enactor and incorporates other decades into her modern wardrobe.

 

My husband and I both feel as if we’re people out of time–as if we weren’t quite made for the modern world. And we’re not alone; my mother has said she feels a strong connection to the 50′s and wishes she had been a teen or young adult during that decade. Other people identify with different decades and feel so at home in the clothing from that period, they either find some way to incorporate it into their everyday dress, or they take up re-enacting.

Me and my husband wearing cotehardies like bosses.

For me, there’s something pleasant about getting into my cotehardie at a reenactment. The sleeves just feel right. The length of the dress and the fullness of the skirt just feel right. My personality shifts to match it–to be a bit more demur, a bit more ladylike. I have even been known to put on a dress when I’m at home and need to get in the mood to sew or do some medieval project (or clean house).

As my husband says, “I don’t think like to think of my medieval clothes as a costume. They don’t feel like a costume to me.”

In Soviet Russia, dress wear you.

Mind you, I don’t do just any century. Part (most?) of the reason why I don’t also do 18th century re-enacting with my husband is I hate the clothes. I feel frumpy, lumpy, and out of joint when I’m wearing 18th century clothes. They’re not flattering on me.

They’re a costume, not clothes.

 

Cover Design Time

I’m getting ready to publish a new short story. This one is a contemporary romance. The plot revolves around a woman who has been living as a virtual recluse for the past two years, since her husband was killed in Afghanistan. A friend talks her into taking some creative writing classes, and while at school, she bumps into the painting teacher. They strike up a conversation based on their mutual artistic talents and interests, and she ends up modeling for his 1920′s-inspired Impressionist painting.

While none of these covers actually look like the painting described in the book (because I can’t paint), the main character, Carol, does get her Louise Brooks on for the painting. So these are some of the options I’m considering.

So who wants to help me pick?

The Bloodsuckers, Episode 17: It’s a Date

“Sorry, I’m late,” Josie said, as she breezed into the office Friday evening, tossing her pocketbook carelessly into her desk drawer and slamming the drawer shut with her foot.

“That’s alright,” Scott said, distracted by the pile of work Josie had left in his in box the previous day. “No one’s coming in until seven anyways.”

Josie flopped down into her desk chair with a tired, half-exasperated sigh.

Scott glanced at her and perked a brow. “Oversleep?”

“No, I had a dinner date. I thought I was never going to get away. It was like trying to pull off a damn octopus.”

Scott was momentarily shocked. “A… dinner date?” he stammered.

She held up a hand. “My mother’s doing, I assure you. She’s been nagging me to go out for months, and I just couldn’t take it anymore; she beat me down.”

“So… who was it with?” He hoped he sounded casual.

“The son of one of her friends from mahjong club. That’s what middle-aged Jewish women do when they get together—they Yente. They play mahjong and drink wine and pair up their kids.”

“But… it didn’t go well?” Damnit, that sounded hopeful.

She looked up at him. “Complete and total dweeb. And a letch to boot.”

Keep the smile off the face. Keep the smile off the face.

He almost managed it, but a small one snuck on there anyways. “I guess that’s why he needs his mother to get him a date.”

Josie laughed. “I think you’re right.” She looked up at him more seriously. “You’d think the guy hadn’t been out on a date since senior prom. I mean, I could forgive him for being boring at dinner—he’s a medical resident, so I know they don’t have a life outside the hospital—but, first, he wouldn’t take a hint that I needed to leave for work, then he insisted on walking me to my car, and the next thing I know, he’s kissing me—only it was like having my face stuck to the end of a vacuum cleaner hose.”

Scott wasn’t sure if he wanted to laugh or be jealous. He ended up snorting as a sort of compromise.

“Then his hands started going places, like he was giving me a physical.”

Jealous. Definitely jealous. “Do I need to meet this guy?” Scott asked, frowning.

“I took care of him,” she replied.

“Are you sure?”

She looked at him, confused. “Are you… jealous, Scott?”

He glanced away. “Me?” he said with completely phony cheerfulness.

She looked away too. “I… didn’t know we were dating.”

He winced a little. They weren’t dating. Yes, they had sex frequently, and yes she fed him once or twice a week, and yes, he stayed the day at her house while his apartment was being constructed, but they hadn’t been out on so much as one date. No dinner, no movie—nothing.

He was ashamed to admit it, but he had never even thought about asking her out. It was as if, when they put their clothes back on, everything went back to business as usual.

“I… um… we haven’t been… I don’t think,” he finally admitted.

“Okay,” she said, sounding relieved. “I just went out with Max to get my mother to shut up, but… I mean… what would she say if she knew you and I were dating? That’s worse than just being friends with benefits.”

“She wouldn’t like me because I’m a vampire,” he stated more than asked.

“Yeah. Well, actually…” she paused, considering the question. “If you were a Jewish lawyer, she’d probably forgive you for being a vampire. It’s the fact that you’re a goy that’s a real problem.”

“Am I a shiksa?”

She laughed. “A shiksa is a woman, Scott.”

“What’s the word for a man?”

“I can’t quite remember—shygetz, or something like that. No one really uses it. There’s just nice Jewish boys and men who are not nice Jewish boys.”

“Sounds like your date tonight wasn’t a nice Jewish boy, either,” he said, needling ever so slightly.

She frowned, obviously seeing the truth in his words. Then she looked up at him, her mouth set in a determined line. “Tomorrow night?”

“It’s a date,” he said with a grin.

Read the entire series–The Bloodsuckers: Vampire Lawyers of Middle Tennessee

5 Steps to Prepare for College

Many high school seniors will soon be graduating and heading for college. Having traveled that road already, I feel it’s my civic duty to impart the knowledge that I have gained since being out of college.

1. Having a degree is important. Where it’s from is not. 

When it comes to picking a college, choose the cheapest option that still fulfills your needs. I paid good money to go to a private college in Virginia. Once I graduated, I returned to my home state of Tennessee. I have been able to get jobs because I have a degree, but the vast majority of people have never heard of the college I attended.

I could have gone to a smaller school in Alabama on a full scholarship and gotten the same degree and the same lack of name-recognition. Instead, I graduated with $24,000 in student loans and over $3,000 in credit card debt.

2. Avoid student loans.

Today, schools are more expensive relative to income than they were 11 years ago. It’s very hard to avoid getting student loans while in college. But do everything in your power to avoid them, because the more money you owe when you get out of school, the more ham-strung you’ll be by it.

I would have gone to Japan to teach English if I had not been weighed down by my bills; I simply couldn’t make enough money to pay those bills and live in Japan. (And, actually, my bills were so heavy, I had to live with my parents while I worked on paying them down). Many people find their ability to get married and start a family hampered by their loans.

3. Buy your schoolbooks online. (In fact, never go into you college bookstore for anything.)

I did this when I was in school and now there are even more options for comparing prices and getting the best deals. And, to that end, I can’t recommend AllBookStores.com enough. Just put in the title of your book and it will search all the major online bookstores and some independent and international bookstores. Results are listed cheapest to most expensive (it even factors in the added cost of S&H so there’s no guessing if this book is cheaper with S&H than that one with free S&H).

Also, you can almost always get away with buying the next-newest edition, rather the the most recent. Most college textbooks are updated every 1-3 years and have little in the way of major changes from year to year. If you ask your professor if there’s any noticeable difference, he or she will probably be honest and tell you that no, there’s nothing different, or they will give you a head’s-up on what has changed, and you can always compare that portion of your book with a classmate’s.

My roommate and I took a lot of the same classes, and we each bought half the course’s books, then shared them. If you have a friend in the same class, this can save you both 50% on the cost of your books.

Go back-to-school shopping for college just like you did for high school: hit Staples or Office Depot when they’re having big sales and buy enough supplies to last you for a year. Shopping at a big box store or Wal-Mart is always cheaper than your college bookstore. And if you’re going to a big college, don’t buy pens or post-it notes because you will get a lot of these for free from vendors on campus.

And I highly recommend the L.L. Bean backpack. I nagged my mother into buying this $40 backpack when I was a sophomore in high school (a regular backpack cost $15-$20 at the time). I carried it three years of high school, all four years of college, took it to Ireland for a summer, and I’ve still got the damn thing. When my husband and I go to the Nashville flea market for the day, I take it with me and put our purchases in it. I don’t think you can tear the things up. If you carry it for two years, you will break even on the cost. If you carry it more than that, you’ll save money. (And you’ll be that much more prepared for the zombie apocalypse, because when it’s weighted with rocks, it makes a devastating mace.)

4. You will have more reading than you can possibly do. So read smarter.

Most people will tackle a pile of reading head on and try to plow through it the normal way. This is very stressful when you can’t finish it or you have to give up all of your free time to complete it.

Instead of plowing slowly through it, try the following shortcuts:

1. Read the first and last sentence of every paragraph. This works best for text books and non-fiction because the first sentence in a paragraph introduces a nugget of information and the last sentence sums it up.

2. Remember learning to write essays based on the “keyhole” method? If you are really short on time, read the introduction and/or first chapter of a non-fiction book and the last chapter and/or conclusion (in the case of an essay, read the first and last paragraphs). You won’t pass a test with this limited amount of information, but it will give you a general idea of what’s being discussed in class (and it’s better than reading nothing).

3. Spend your summer learning to speed read. You can certainly apply this to your text books and non-fiction books, but this is the only way you can tackle fiction/literature.

4. Make friends with the table of contents and index. When you need to read a book for research purposes, look at the chapter names and/or look up keywords which match your writing topic. You can cut down on your reading greatly if you pinpoint and read only that which is relevant to your needs.

Also, if you have a big research paper, try reading an entire book or two which contains general knowledge on your subject and start to write your paper. As you find yourself needing information to back up a point, go to other books and use the pinpoint method to look up only that information which you need. This is actually how I write my historical fiction: I write it first, from a general knowledge of the time and place, then I confirm my facts. This takes less time than reading a bunch of information that I might not need.

An important note: while learning to read faster or smartly skip can help you through your piles of reading, make sure you don’t apply it to your writing. When you finish writing a paper, make sure you read it slowly so you can catch the grammatical mistakes.

5. Learn to think, and enjoy it.

When I got out of college and looked back at everything I had learned (and especially looking back a decade later), I realized I remembered almost nothing I had learned. For instance, I took a number of Asian history classes, and I don’t remember anything about Asian history. I wouldn’t remember any medieval history, either, except that i do medieval re-enacting and I’m constantly applying what I know and refreshing it with new information.

What I learned in college was how to think (which is a much more valuable skill than memorizing names and dates anyways) and how to live as an independent adult. So, to that end, I recommend 1) at least one philosophy class, and 2) living off-campus at least one year.

I have thought, more than once, that college is wasted on the young. I would very much enjoy going back to college now and learning for the sake of learning–not for the sake of pleasing my parents, getting a diploma, or making good grades.

Which brings me to another point: my GPA has been of no use whatsoever since I graduated. Unless you’re planning on going to graduate school, your GPA won’t matter either. If I had it to do all over again, I would take all of my classes pass/fail and not give a shit about my grades. Learn because you want to learn, not because you need to reach some arbitrary metric or compete against your classmates. College is pretty much the last time in your life where you will have intellectual discussion with reasonably intelligent people; enjoy it while you can.

The Future of Authors

Jon Carroll at the San Francisco Chronicle writes:

Apparently writers are now having to work twice as hard to stay in the same place. The New York Times reported last weekend that best-selling genre authors are now expected to produce two full-length books a year, rather than the traditional one.

When people want an author, they really want that author. They are unwilling to wait 11 months or whatever it would be for the next installment. Fans of whomever apparently gobble up whoever’s backlist immediately – and cheaply too; old books are so satisfyingly inexpensive.

It is also considered useful if the author produces an additional 40,000-word novella for e-book publication. This will presumably fill the void between the two books a year. All that popularity is very nice, of course, and lots of writers would love to be cursed by it, but jeez. About 140,000 to 200,000 words per year? Plus a plot? That’ll be interesting.

It used to be a commonplace that a writer who wrote too fast would create an error-filled, cliche-jammed manuscript. That still may be true, but it doesn’t seem to matter. Writers are now commodities, like corn or pig bellies. They’re measured in bulk. The more words Lee Child writes, the better he is.

Writers also need to commodify themselves on Facebook and Twitter. They need to drop mordant observations into the data stream, gathering followers and fans so they can announce the pub date of their next novel, “Honor the Blood” or “Chain Saw” or whatever it happens to be, in with their lively descriptions of their fascinating lives and thoughts.

Honestly, I could write at that pace if writing was my full-time job. But with the amount of time I spend on revisions right now, plus needing to format and design my books and cover, blog, and market everything, I’d end up pulling down more than 40 hours a week. The hope is, however, that as I grew more of a following, I could market and blog a bit less. Also, with some cash, I could hire people to do my covers and formatting for me. The goal would be to shrink my work week to 35-40 hours a week… unless I felt the overwhelming desire to write more.

Two other points to make about this article. One, it’s confirming what I’ve already said: authors need to sell themselves as much as their work. Authors need to become celebrities because, as books go digital, pirating will ensue. Unlike the recoding and movie industries, I don’t think digital is a bad thing (and I don’t lock my books up with DRM), but I accept the fact that pirating will happen. That’s where your celebrity comes in. Just as bookstores sell a lot of things other than books, so too will authors have to sell a lot of things which aren’t books (just wait; I’m already working on my CafePress products, to be released along with my first book). That’s just where things are heading for all artists.

The other striking point about the article is what’s between the lines. The link to this article was originally posted in the Amazon authors’ forums (a place where independent authors gather). People there pointed out that traditional publishers are apparently pushing social media marketing (which is, lets face it, the bulk of today’s marketing) onto their authors.

For e-books over $2.99, Amazon gives writers 70% royalty. The industry standard is no where near that amount. According to Fiction Factor, the average royalties on paperbacks is 7.5% and hardbacks is 15%. They don’t mention e-books, but I believe that authors are only making about 8%-10% on their e-books when a publisher has control of it.

70% versus 8% is a big difference.

If I understand print-on-demand books correctly, I will get to name my price above and beyond the publishing cost; I assume Amazon then takes a percentage of that. But it looks like I could make $1.00 or more per book–which is the same or more than if I went through a publisher.

As the indie authors on Amazon asked, if you have to do your own marketing anyways, why would you choose to make less money with a traditional publisher?

Even if you pay money for a book designer and an editor up front and out of your own pocket, you still stand to make more money doing it yourself because you only pay for those services once. When you contract your book with a major publisher, you will share your profits forever for the benefit of having them design your cover and do the edits.

Food for thought.

Whatever Happens, Make Great Art

Okay, I’m going to break my rule about not posting more than once a day. I found a video on Annie Cardi’s blog, and it not only does it encompass everything (and more) that I’ve been talking about lately, but it’s so inspirational, it brings tears to my eyes. If you’re a writer, go watch it; it’ll be the best 20 minutes of your day–and possibly week. (And, really, it applies to all people who are artists.)